William Guynn, "The Routledge Companion to Film History"
English | ISBN: 0415776562, 0415776570 | 2010 | 296 pages | PDF | 5 MB
The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies.
The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes:
History of the moving image
Film as art and popular culture
Production process
Evolution of sound
Alternative modes: experimental, documentary, animation
Cultural difference
Film’s relationship to history
The second is a critical dictionary that explains concepts, summarizes debates in film studies, defines technical terms, describes major periods and movements, and discusses historical situations and the film industry. The volume as a whole is designed as an active system of cross-references: readers of the essays are referred to dictionary entries (and vice versa) and both provide short bibliographies that encourage readers to investigate topics.
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English | ISBN: 0415776562, 0415776570 | 2010 | 296 pages | PDF | 5 MB
The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies.
The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes:
History of the moving image
Film as art and popular culture
Production process
Evolution of sound
Alternative modes: experimental, documentary, animation
Cultural difference
Film’s relationship to history
The second is a critical dictionary that explains concepts, summarizes debates in film studies, defines technical terms, describes major periods and movements, and discusses historical situations and the film industry. The volume as a whole is designed as an active system of cross-references: readers of the essays are referred to dictionary entries (and vice versa) and both provide short bibliographies that encourage readers to investigate topics.
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